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“Comparison is the death of joy.” ~ Mark Twain “Audiophiles care too much about sound.” ~ Stephen Mejias Preamble The sure sign of an addict is the recursive 'I'm never going to.again'. I'm never going to buy another version of Kind of Blue but I did. The most interesting question here is exactly what are we addicted to?

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Kind of Blue: DSD v PCM. 192 PCM version of Kind of Blue from HDtracks to the new DSD version from Acoustic Sounds. But did I really? Which is the best format.

Is it the music? Or is it the sound? If we go by the strict definition according to Merriam-Webster, an audiophile is 'a person who is enthusiastic about high-fidelity sound reproduction'. Sound reproduction? Not 'music reproduction'?

According to the Urban Dictionary, an audiophile is also a bunch of other things including, 'One who enjoys sex acts involving the ear.' , 'Someone who usually looks at young audio equipment.

And rapes it through various input and often output sockets.' , and 'This is a person that makes you break out in a cold sweat and shudder when he says 'So something interesting happened today.' ' So something interesting happened today—I compared the 24/192 PCM version of Kind of Blue from HDtracks to the new DSD version from Acoustic Sounds. But did I really?

Or did I necessarily also compare the conversion processes from tape to digital, the hardware involved in the conversion processes, and the way the particular DAC I used for the comparison, the Auralic Vega, handles PCM versus DSD? The answer is D) all of the above. Since we are not comparing file formats when we compare file formats, what are we doing? The answer for me is finding the version of a given recording we prefer listening to.

Thinking that we are in fact determining which is the best format is not only misguided, it misses the main point which is the best version of Miles Davis' Kind of Blue is the one we own and enjoy listening to. When we begin fretting over file formats and arguing over how bits are handled within a DAC chip and is it 'true' DSD, multi-bit DSD, delta-sigma'd PCM, or 'real' parallel resistor PCM.we begin to lose the music. Comparison may also be the death of music.

The music gets lost in the dust up and we end up talking about sound. I suppose this kind of thing is inevitable in any enthusiast perfectionist endeavor but it seems especially egregious when it comes to music. The Comparison Through the Auralic Vega DAC, the DSD download of Miles Davis' Kind of Blue sounds simply stunning. Gee, where have I heard that before? 'But more importantly, the remastered Kind of Blue sounds simply stunning.' This is what I said about the 24/192 version from HDtracks (see ) and nothing has changed now that we also have the DSD version. First off, the DSD version is the stereo mix and includes the alternate take of 'Flamenco Sketches' which is not included in the PCM version.

I'm assuming the PCM and DSD versions were remastered from the same speed-corrected analog tape (the included PDF liner notes are also identical), both score a DR14, and both sound simply stunning. I'll add that the Vega had no problems running in 'Exact' clock mode with the DSD version but I had to back down to 'Fine' mode with the 24/192 version. You can draw whatever conclusions you want from this fact but I would have to assume that one possibility is the 24/192 version is inherently a more jittery source than the DSD version. The DSD version through the Vega DAC has that lovely round full smooth saturated sound and that effortless quality to dynamic swings that DSD does so well. Overall, I'd say the DSD version sounds more colorful, more expressive, and more natural through the Vega while the PCM version, by comparison, sounds flatter. If I had to choose just one version of Kind of Blue, I'd choose the DSD stereo mix and the mono 24/192 mix (music is, after all, comprised of sounds). Miles Davis Kind of Blue in stereo DSD from Miles Davis Kind of Blue in mono PCM from.

See: Apparently new digital transcriptions were done for these recent re-issues, both PCM and DSD. Michael - I appreciate this column, but I'm almost sorry I read it. I bought the HDT KoB and love it. Like it better than the LP, the 1997 CD, and the previous Columbia SACD/DSD rip. I did a quick comparison of the HDT and my SACD rip, and liked the HDT better. I'm not even saying it has a better sound, just that I like listening to it more.

I don't really care to go crazy comparing them more than that. That said, I'm tempted to by the new AS DSD download. I trust your taste on this issue and think we have a similar reaction to the sound of DSD. But I'm holding off. How many good sounding versions of the same recording do I need? I'll feel a little bit like a tool of Columbia/Sony marketing if I buy the DSD download too.